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I read so many manuscripts now that I can spot craft issues almost instinctively. I know why something works and why it doesn’t. I’ve seen enough submissions to recognize pacing problems, exposition dumps, and arcs that fizzle out instead of soaring. That level of immersion in story after story makes you sharper. It’s like living in a constant writing masterclass. But—and this is a big but—knowing something isn’t the same as being able to execute it. Because in writing

The moment a publishing offer comes in, everything feels electric. An author’s phone buzzes. I get to deliver the news: You did it. Someone wants your book. And for a minute, it feels like we both won the lottery. But almost immediately, the practical part of my brain kicks in. Because an offer is just the beginning. Now it’s time to talk numbers, rights, clauses, and timelines—the unglamorous fine print that shapes the author’s future.

Below are four excellent writing conferences (including ours!) that picture book writers should keep on their radar—plus two kidlit writing organizations that are just too good to leave out. 👇

In publishing, the wins aren’t just the book deals or the big moments. They’re the people who hand you coffee. The mentors who show up. The gut feelings that say, this one’s worth it.

As someone who designs websites for authors, I've seen firsthand how a strategically built website can become a review-generating machine.

Deciding whether your children's book manuscript is truly ready to send out into the world—whether that means querying agents or diving into self-publishing—can feel both thrilling and terrifying. And honestly? Only you can make that call. But as an agented and traditionally published picture book author who’s helped hundreds of writers navigate both traditional and indie publishing paths, I’ve found that most successful authors can answer YES to the following question